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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature、anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile awomanisluringmenintoaviolentend、bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer thekillers 'fatesintertwine.Thetwomustfaceoffinabattletothedeath, inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder。《残酷》在视觉上采用了一种有趣的方法，深受西方刑房电影的影响，使用滤镜使镜头看起来颗粒化，受损，光线和色彩波动。不幸的是,thevisualstylingendsupfeelingmisguided asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe Grindhousegenre.Despitetryingtodirtyupthefilm itisapparentitwasshotondigital。Thecinematographyisalsoastepabovemost Grindhouseproductions withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,点燃,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm 'simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience, insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch。Thestoryof Brutalissimplebuteffective、itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist、witharevealthatisboundtogrosssomeout whilegivingothersachuckle。尽管电影本身很简单，但那些喜欢让他们感到不舒服的电影，喜欢经历极端暴力的挑战的人，《野蛮人》在这方面提出了一个既有趣又有趣的挑战。